Rupanuga Tattva Sara
Rupanuga Bhajana Darpana Song 6
rūpānuga tattwa-sāra bujhite akaṅkha
jāṅra rasa-jñāna tāṅra prayojana
cinmoya ānanda-rasa sarba-tattwa
jāṅra baśa akhaṇḍa parama tattwa-dhana
Vibhava (specific stimulants and supporting characters)
jāṅra bhāṇe jñāni jana brahmāloya-anweṣaṇa
kore nāhi bujhi ' beda-marma
jāṅra chāyā-mātra bore jogī-jana
joga kore jāra chale karmi kore karma
Anubhava (thirteen resultant ecstatic symptoms)
bibhāba anubhāba āra sāttwika sañcārī
cāra sthāyī bhābe milana śundara
sthāyī bhābe rasa hoya nitya
cid-ānanda-moya parama āswādya nirantara
Sattvika ( eigth especially disruptive ecstatic symptoms)
je rasa prapañca-gata joḍa-kābye
prokāśita parama rasera asan-mūrti
asan-mūrti nitya hoya ādarśera chāyā
hoya jena marīcikā jala-sphūrti
When rasa is expressed in the material world, it is praised throughout the materialistic literature of the world, but that is only a perverted reflection of this supreme mellow. It is temporary and is just like an imitation copy of the real thing, similar to a mirage which appears to be water in a desert.
Translation
Vibhava (specific stimulants and supporting characters)
Anubhava (thirteen resultant ecstatic symptoms)
Sattvika ( eigth especially disruptive ecstatic symptoms)
When rasa is expressed in the material world, it is praised throughout the materialistic literature of the world, but that is only a perverted reflection of this supreme mellow. It is temporary and is just like an imitation copy of the real thing, similar to a mirage which appears to be water in a desert.